The Madonna Carlo Dolci Italian painter Baroque 1616 1686
Carlo (or Carlino) Dolci (25 May 1616 – 17 January 1686) was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. Images of the Madonna and the Madonna and Child are pictorial or scuptured representations of Mary, Mother of Jesus, either alone, or more frequently, with the infant Jesus. These images are central icons of Roman Catholicism and Eastern Orthodox Christianity. While Mary, the Mother of Jesus, may be referred to as "the Madonna" in other contexts, in art the term is applied specifically to an artwork in which Mary, with or without the infant Jesus, is the focus, and central figure of the picture. Mary and the infant Jesus may be surrounded by adoring angels or worshipping saints, however paintings which have a narrative content are not usually referred to as a "Madonna", but are given a title that reflects the scene such as the Annunciation to Mary. The earliest such images date from the Early Christian Church and are found in the catacombs of Rome. Representation of Mary became more common after the Council of Ephesus in 431. For over a thousand years, through the Byzantine, Medieval and Early Renaissance periods the Madonna was the most often produced pictorial artwork. Many specific images of the Madonna, both painted and sculptured, have achieved fame, either as objects of religious veneration or for their intrinsic artistic qualities. Many of the most renowned painters and sculptors in the history of art have turned their skills toward the creation of Madonna images. These artists include Duccio, Leonardo da Vinci, Michelangelo, Giovanni Bellini, Caravaggio, Rubens, Salvador Dali and Henry Moore.
Size: 3363px × 5025px
Photo credit: © 19th era / Alamy / Afripics
License: Licensed
Model Released: No
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