Fifty-eight paintings by Homer DMartin . te sands sweeping diagonally across the foresground, which they form, have partially engulfedsolid trees whose hrown and leanino trunks — seenonly near their upper branches—rise out of the wasteat right and left, a few crumpled leaves cUnging tosome of the tips. From a tree at the right a witheredbranch projedls low over the sand in the immediateforeground, meeting scraggly branches rising throughthe blading grains from a tree on the left. Below thelight foreground, across the middle di^ance, is a darkband of red, brown and green brush, growing abovethe
Fifty-eight paintings by Homer DMartin . te sands sweeping diagonally across the foresground, which they form, have partially engulfedsolid trees whose hrown and leanino trunks — seenonly near their upper branches—rise out of the wasteat right and left, a few crumpled leaves cUnging tosome of the tips. From a tree at the right a witheredbranch projedls low over the sand in the immediateforeground, meeting scraggly branches rising throughthe blading grains from a tree on the left. Below thelight foreground, across the middle di^ance, is a darkband of red, brown and green brush, growing abovethe low reaches of brown land and blue water wherethe lake puts in from the right. Around the left, be?yond the dark middle di^ance, the lake is bounded byhigher dunes, broken and irregular, some barren andsome on which hardy vegetation has gained a foothold,the barren sections making light spots in the landscape,under rather a sombre gray?blue sky. Signed at the lower left, H. D. Martin, OF MONTGOMERY SCHUYLER, ESQ. 8o. / i
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Keywords: ., bookcentury1900, bookdecade1910, bookidfiftyeightpa, bookyear1913
