Symphonies and their meaning . essive broken attempts of the basses before Basses alone. (m\% P i* m 0 9 V*J> y N* \* 1 • a i* \~s •V »\ 1 !_L-U_|_i— !_!— l_i_^_ i / dim. 168 SYMPHONIES AND THEIR MEANING they once more find their feet and rumbleaway in the dance. But the humor has theprofound, eternal quality, fitting with highestart, first ending in a great bacchanale. Thesecond time it dwindles away, until we aresuddenly back in the sinister, cavernous gloomof the first melody; again, in the puzzlingbeat of tripping motto, whether human orsuperhuman, descending into still lower depthsof s
Symphonies and their meaning . essive broken attempts of the basses before Basses alone. (m\% P i* m 0 9 V*J> y N* \* 1 • a i* \~s •V »\ 1 !_L-U_|_i— !_!— l_i_^_ i / dim. 168 SYMPHONIES AND THEIR MEANING they once more find their feet and rumbleaway in the dance. But the humor has theprofound, eternal quality, fitting with highestart, first ending in a great bacchanale. Thesecond time it dwindles away, until we aresuddenly back in the sinister, cavernous gloomof the first melody; again, in the puzzlingbeat of tripping motto, whether human orsuperhuman, descending into still lower depthsof sombrest gloom, with demoniacal perver-sion of the melody, when suddenly a turn ofthe major lets in a clear ray of hope, and thencomes the heroic lift from the abode of devilsto that of angels, from hell to heaven, fromsinister, overwhelming evil to moral triumph,to emancipation of the spirit, as the finalAllegro, awaiting no pause, throwing off theshackles of the tripping pace, bursts in exult-
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Keywords: ., bookcentury1800, bookdecade1890, bookpublisherlondonjblippincott
