. Programme. n, and then give way to a phrasefull of violence, in which the orchestra seems to rise to its feet,revived by a flash of fury: see this shuddering mass hesitate amoment and then rush headlong, divided in two burning unisonsas two streams of lava; and then say if this passionate style is notbeyond and above everything that had been produced hitherto ininstrumental music. . The adagio*—andante con moto—has characteristics in com-mon with the allegretto in A minor of the seventh symphony andthe slow movement of the fourth. It partakes alike of the melan- * Indifference of Berlioz to
. Programme. n, and then give way to a phrasefull of violence, in which the orchestra seems to rise to its feet,revived by a flash of fury: see this shuddering mass hesitate amoment and then rush headlong, divided in two burning unisonsas two streams of lava; and then say if this passionate style is notbeyond and above everything that had been produced hitherto ininstrumental music. . The adagio*—andante con moto—has characteristics in com-mon with the allegretto in A minor of the seventh symphony andthe slow movement of the fourth. It partakes alike of the melan- * Indifference of Berlioz to exact terminology is not infrequently shown in his essays. A. H. HAMDLEY CONCERT AND ARTIST MANAGEMENT160 BOYLSTON STREET. BOSTON Mr. Handley makes a feature of the management of and DebutRecitals; also of the management of profe5sional musical artists. Recital by Harriet Van EnJen, Lyric Soprano, Jordan Hall, Wednes JayEvening, January 18. Telephohe Beach 4197 Harveys The Music Centerof Boston. For the New Year RESOLVE that 1922 will find one of these rich-toned, artistically designed instruments inyour home. \isit Harveys The Music Center ofBoston, and see and hear some of our WEBER PIANOS Long ago they won the appreciation of theworlds greatest pianists. Weber pianos also havethe endorsement of the discriminating musicalpublic abroad and at home. Come in and let usarrange a concert for you. CCHaryey® 144 BOYLSTON ST., BOSTON choly soberness of the former and the touching grace of the theme, at first announced by the united violoncellos andviolas, with a simple accompaniment of the double-basses pizzicato,is followed by a phrase for wind instruments, which return con-stantly, and in the same tonality throughout the movement, what-ever be the successive changes of the first theme. This persis-tence of the same phrase, represented always in a profoundly sadsimplicity, produces little by little on the hearers soul an inde-scribable impression. . *The Scher
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